Ian Hampton Ian Hampton

The Artist’s Flicker: Drawing When Your Brain Won't Hold an Image

Visualization isn't always a 5K rendering; sometimes, it’s just a strobe-light flash. If you struggle to hold an image in your mind, your canvas becomes your external hard drive. Discover why the "flicker" happens and how to use gestural drawing to "find" your art on the paper.

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Business, Branding Ian Hampton Business, Branding Ian Hampton

The Reality of Branding Your Local Business: More Than Just a Pretty Picture

In the Midwest, we value utility over flash. So why do so many local businesses settle for "Silicon Valley" logos that don't reflect their grit? From the muddy tailgate to the polished storefront, your branding should feel like a handshake, not a corporate mandate. Here is why investing in an honest, simple aesthetic is the best move for your long-term reputation.

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Workflow, Productivity Ian Hampton Workflow, Productivity Ian Hampton

From Walk to Workflow: Organizing Your Digital Visual References

Letting your valuable visual references disappear into a chaotic camera roll is like burying your best sketches in a junk drawer. Whether you're on a Google Pixel or an iPhone, a few simple habits can transform random snapshots into an invaluable resource. Here is how to organize your digital "reference library" so you can find that perfect bit of light or texture exactly when you need it.

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Ian Hampton Ian Hampton

The Best $20 I Ever Spent at Walmart: A Year with the MX Master 2S

After a year of heavy design work and the chaos of new parenthood, does a $20 Walmart clearance find actually hold up? From navigating massive Affinity files to surviving the grit of a real workday, here is why the Logitech MX Master 2S is the most practical tool on my desk—and why newer isn't always better.

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Ian Hampton Ian Hampton

Why Your Best Ideas Usually Show Up While You’re Doing the Dishes

We treat creativity like a light switch we can’t find in the dark, trying to muscle ideas into existence. But real breakthroughs don't happen at a desk—they happen in the quiet moments between the grit of daily life. Drawing on John Cleese’s philosophy and a few lessons from a Kansas upbringing, let’s explore why being "unproductive" is actually the key to your best work.

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Ian Hampton Ian Hampton

The Math Behind the Masterpiece: Why Custom Art Costs More Than a Print

Original art isn't priced by "prestige"—it's priced by the brutal reality of fixed costs and labor. From the studio overhead in Kansas to the "sunk" hours at the easel, discover the financial logic that separates a one-of-a-kind masterpiece from a high-quality print, and why both have a vital place in your collection.

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Ian Hampton Ian Hampton

How to Profit from 2026’s Graphic Design Shifting Tides

Tired of sterile, hyper-polished AI designs? In 2026, the real money is in the "imperfect." From tactile scanner textures to design-as-a-service retainers, here are four practical, "fluff-free" ways to monetize current design trends while balancing the chaos of real life.

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Ian Hampton Ian Hampton

What is my art worth?

How do you set a price on your art to sell may seem like its all subjective. This is absolutely true, at least on the surface, but Ill explain some of the rational behind the pricing some of the paintings, art, digital art, designs, sculptures that you've seen. It really gets into the weeds, there are a lot of variables, but Ill start at a high level and break it down.

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